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This book collects fifteen major philosophical essays written over a period of more than twenty years by acclaimed Italian philosopher Giorgio Agamben. The volume opens with an introduction in which the editor situates Agamben's work with respect to both the history of philosophy and contemporary European thought. The essays that follow articulate a series of theoretical confrontations with privileged figures in the history of philosophy, politics, and criticism, from Plato to Spinoza, Aristotle to Deleuze, Carl Schmitt to Benjamin, Hegel to Aby Warburg, and Heidegger to Derrida. Three fundamental concepts organize the collection as a whole: language, in the sense not of particular statements but rather the very taking place of speech, the pure fact of language's existence; history, as it appears from a perspective in which tradition, transmission, and memory reach their messianic fulfillment; and potentiality, understood as a fundamental problem of metaphysics, ethics, and the philosophy of language. All these topics converge in the final part of the book, in which Agamben offers an extensive reading of Melville's short story "Bartleby the Scrivener" as a work that puts potentiality and actuality, possibility and reality, in an altogether new light.

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本の長さ

324ページ
言語

英語
発売日

2000/1/1
寸法

15.24 x 2.06 x 22.86 cm
ISBN-10

0804732787
ISBN-13

978-0804732789
Lexile指数

1450L
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商品の説明

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"Agamben has been attracting attention recently in the English-speaking world, thanks to the increasing availability of his work in translation. This volume is indicative of Agamben's broad range of interests. . . . Despite this range of interests, however, a sustained commitment to certain theoretical issues―particularly language and history―lends the volume a coherence. . . . Daniel Heller-Roazen's introduction does a nice job of outlining the philosophical program that motivates these essays, and his translation in general is to be commended for its elegance. Upper-division undergraduates through faculty and researchers." (Choice)

著者について

Giorgio Agamben, an Italian philosopher and political theorist, teaches at the IUAV University in Venice and holds the Baruch Spinoza Chair at the European Graduate School. His most recent works available in English translation from Stanford University Press include "What is an Apparatus?" and Other Essays (2009), Nudities (2010), The Sacrament of Language(2011), and The Kingdom and the Glory (2011).

登録情報

出版社 ‏ : ‎ Stanford University Press; 第1版 (2000/1/1)
発売日 ‏ : ‎ 2000/1/1
言語 ‏ : ‎ 英語
ペーパーバック ‏ : ‎ 324ページ
ISBN-10 ‏ : ‎ 0804732787
ISBN-13 ‏ : ‎ 978-0804732789
寸法 ‏ : ‎ 15.24 x 2.06 x 22.86 cm

Amazon 売れ筋ランキング: - 305,339位洋書 (洋書の売れ筋ランキングを見る)
- - 1,109位Philosophy Movements
- - 1,252位Essays (洋書)
- - 1,276位Modern Philosophy

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ジョルジョ・アガンベン
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Daniel Heller-Roazen
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Ironpop

Complex in potentiality!

2019年9月19日にカナダでレビュー済み

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Difficult in the best sense but full of new thinking and boundary breaking insights. Worth a slow read for sure

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Saul Boulschett

On the Existence of Non-Being and more

2001年9月13日にアメリカ合衆国でレビュー済み

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This is a collection of essays written over a period of twenty years. This book is as stunning in its unexpected insights as it is diffcult to summarize. Agamben's mastery of classical philosophy and philology gives him the advantage of discussing pressingly modern issues in philosophy, history, politics and criticism as personified in the works of everyone from Aristotle to Heidegger, Benjamin, and Derrida. And that advantage is apparent not only in the ease with which he brings Aristotle's discussion of dynamis (potentiality) on the issue of redemption and Being, but also in the vividness of ancient philosophy's immediate relevance to the discussion of the messianic notion of time and history as transmitted to our age through figures such as Kafka, Benjamin and Scholem.
This collection of essays is divided into three parts: Language, History, Potentiality. Each section has under it a number of essays loosely pertaining to that category. Under the section on Histroy, for example, we have essays on Aby Warburg and the man's legacy in the refiguration of the study of art history; on Tradition; on Hegel's Absolute and Heiddeger's Ereignis; on Walter Benjamin's Angel of History; and on Benjamin's rumination on the Messiah in realtion to the Sovereign.
Heiddeger looms, as always, over much of Agamben's writing, but here so does that which has no name except as a tradition that partakes of the kabbalistic power of deep vision. The content of the book is offered here like so many spores of light, shedding light on so much of what constitutes the abyss/ground of modernity, but resisting capture in the stiff net of unimaginative academic argumentativeness. The prose is as dense as usual, reflecting the very density of the topics the author is trying to analyse. A most head-on collision of a reading.

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Nicholas

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The best place to start with this formidable thinker. What a beautiful writer.

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