標題および責任表示
|
Music, performance, meaning : selected essays / Nicholas Cook
|
出版事項
|
Aldershot : Ashgate , c2007
|
形態
|
xxvii, 349 p. : ill., music ; 25 cm
|
シリーズ名等
|
Ashgate contemporary thinkers on critical musicology <BY03547665>//a
|
巻号情報
|
|
内容著作注記
|
Musical form and the listener (1987)
|
内容著作注記
|
The perception of large-scale tonal closure (1987)
|
内容著作注記
|
Beethoven's unfinished piano concerto : a case of double vision? (1989)
|
内容著作注記
|
Schenker's theory of music as ethics (1989)
|
内容著作注記
|
The editor and the virtuoso, or Schenker vs. Bülow (1991)
|
内容著作注記
|
Heinrich Schenker, polemicist : a reading of the Ninth symphony monograph (1995)
|
内容著作注記
|
Music minus one : rock, theory, and performance (1995-96)
|
内容著作注記
|
The domestic Gesamtkunstwerk, or record sleeves and reception (1998)
|
内容著作注記
|
At the borders of musical identity : Schenker, Corelli and the graces (1999)
|
内容著作注記
|
Theorizing musical meaning (2001)
|
内容著作注記
|
Form and syntax : a tale of two terms (2002)
|
内容著作注記
|
The other Beethoven : heroism, the canon, and the works of 1813-14 (2003)
|
内容著作注記
|
Performance writ large : desultory remarks on furnishing the abode of the retired scholar (2003)
|
内容著作注記
|
In praise of symbolic poverty (2004)
|
内容著作注記
|
Writing on music or axes to grind : road rage and musical community (2003)
|
内容著作注記
|
Making music together, or improvisation and its others (2004)
|
注記
|
Includes bibliographical references and index
|
NCID
|
BA84252586
|
本文言語
|
英語
|
著者標目
|
*Cook, Nicholas, 1950- <AU00062311>
|
分類標目
|
LCC:ML3800
|
分類標目
|
DC22:781.1/7
|
件名標目等
|
Music -- Philosophy and aesthetics
|